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1. #ADOBE PREMIERE PRO 2014 HIDE TITLE BEHIND OBJECT PROFESSIONAL#
2. #ADOBE PREMIERE PRO 2014 HIDE TITLE BEHIND OBJECT SERIES#

The “right” clip means one in which the subject doesn’t turn away from the camera or go behind other objects, though some head movement seemed to be okay. The process was a little slow on my getting-up-there workstation-about a frame per second-but with the right clip, it worked pretty well. With Premiere Pro CC 2014’s new Masking and Tracking feature lets you implement a simple mask to obscure faces, and then it will track that mask as your subject moves.

#ADOBE PREMIERE PRO 2014 HIDE TITLE BEHIND OBJECT SERIES#

As Premiere Pro analyzes, it creates a series of keyframes-one per frame. Click another button to analyze the clip. Select a clip in the timeline, add an appropriate effect (for example, Mosaic) to the clip, click a button in the Effects Controls panel to create a mask, then resize and position the mask over the offending portion of the video. The blurring process can be challenging in video, but Premiere Pro CC’s new Masking and Tracking features aim to make the process a tad easier.

(Would you want your company’s logo seen plastered on the chest of a just-arrested arson suspect?) Why? It can be to avoid revealing a confidential source, to get someone to talk on camera who wouldn’t otherwise, or simply to prevent a known-and litigious-brand from being accidentally associated with a controversial subject. You’ve seen it on “Cops,” on “20-20,” even on the local television news-blurred-out faces of people, or blurred-out logos (or offensive statements) on subjects’ T-shirts. Premiere Pro CC 2014 lets you designate a master clip,” to which you can apply effects that are then applied to all instances of the clip on your timeline. A new feature in Adobe Premiere Pro CC 2014 can make that a much less tedious task.

#ADOBE PREMIERE PRO 2014 HIDE TITLE BEHIND OBJECT PROFESSIONAL#

If you’ve been caught in an embarrassing situation by the local 6 o’clock news crew, then you’ll appreciate that professional video editors often must protect the innocent by obscuring people’s faces in broadcasts, and in some cases, they may need to avoid trademark infringement by blurring company or product logos.